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Reprint edition of Robert Frank: The Americans, Scalo Publishers 1998.

http://www.douban.com/subject/1436918/

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Armed with a camera and a fresh cache of film and bankrolled by a Guggenheim Foundation grant, Robert Frank crisscrossed the United States during 1955 and 1956. The p***ographs he brought back form a portrait of the country at the time and hint at its future. He saw the hope of the future in the faces of a couple at city hall in Reno, Nevada, and the despair of the present in a grimy roofscape. He saw the roiling racial tension, glamour, and beauty, and, perhaps because Frank himself was on the road, he was particularly attuned to Americans' love for cars. Funeral-goers lean against a shiny sedan, lovers kiss on a beach blanket in front of their parked car, young boys perch in the back seat at a drive-in movie. A sports car under a drop cloth is framed by two California palm trees; on the next page, a blanket is d***d over a car accident victim's body in Arizona.

Robert Frank's Americans reappear 40 years after they were initially published in this exquisite volume by Scalo. Each p***ograph (there are more than 80 of them) stands alone on a page, while the caption information is included at the back of the book, allowing viewers an unfettered look at the images. Jack Kerouac's original introduction, commissioned when the p***ographer showed the writer his work while sitting on a sidewalk one night outside of a party, provides the only accompanying text. Kerouac's words add narrative dimension to Frank's imagery while in turn the p***ographs themselves perfectly illustrate the writer's own work.

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Reprint edition of Robert Frank: The Americans, Scalo Publishers 1998.

http://www.douban.com/subject/1436918/